Art DMV Pro Specifications download pdf (Page 33)

- 29 -

Effect Class:

Classes are effect variations and are named after the applications they are optimized for. Each effect has six

classes and their names, sounds, and adjustable parameters vary based on the effect. (See page 31 for a

description of all effects and their classes.)

Mix

This parameter sets the ratio of unprocessed (dry) sound to processed (wet) sound, with a range from 0% to

100% (0 = all dry, 100 = all wet). Enabling Effect Bypass is equivalent to turning the Mix control to 0. If Dry Kill

is active, Mix sets the total output level of the DMV-PRO. (For information on Dry Kill, see page 10.) For

example, if Dry Kill is active and Mix is set to 0, no sound will come from the unit. Conversely, if Dry Kill is

active and Mix is set to 100, the highest effect output level is achieved.

Low EQ

An effect’s low equalization control is inline with the processed (wet) signal. It has a maximum bass boost/cut

amount of ±15 dB (in 1-dB steps) and is musically balanced with variable frequency points and a constant

slope. The boost characteristics of this curve favorably compensate for typical bass losses within audio

systems.

Bass Control

-20

-15

-10

-5

10 100 1000 10000

Frequency in Hz (Log Scale)

Boost (dB)

High EQ

Like the Low EQ, an effect’s high equalization control is also inline with the processed (wet) signal. It has a

variable slope with a maximum treble boost/cut amount of ±15 dB (in 1-dB steps).

1 2 ... 28 29 30 31 32 33 34 35 36 37 38 ... 60 61

No comments

Art DMV Pro Specifications Page 33