Art TPS II Operations Instructions Page 6

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CONTROLS & INDICATORS
Input Control
The Input Control sets the amount of input gain of the DPS II. Turn the control
clockwise to increase gain and counterclockwise to decrease gain. You may
control two ranges of gain with this control, +20 to +68dB and +0 to +48dB.
Selection of the gain range is made with the +20dB gain switch.
NOTE: This control, along with the +20 dB Switch, is responsible for any
saturation of the tube. To change the tube character, utilize these 2 controls.
+20db Gain Switch
Use the +20dB Gain Switch to set the gain range of the input control. When the
switch is out, the unit operates in Normal mode. Depressing the switch adds
20dB of gain. For microphone applications, where more gain is needed, push the
switch in. For hot line level inputs, set the switch in the out position.
This switch also affects the tube circuit. When selecting +20dB of gain, the tube
is driven harder and becomes the dominant source of gain and overload
character.
Input Impedance Control
The same microphone can sound different on various pre-amps. One reason is
that every pre-amp presents a different load to on its’ input, some even change
as gain is changed! Our third generation discrete front end was designed to be
absolutely transparent. Every nuance of the microphone is maintained providing
detail masked by inferior pre-amps. The Input Impedance control is one key
element in providing new versatility in voicing microphones.
NOTE: the Input impedance control only affects mic/line inputs. The ¼”
instrument input on the front panel is NOT affected by this control in any way.
The instrument input impedance is ALWAYS >
1M Ohm.
Dynamic microphones are affected as much as phantom powered units.
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